“I find it difficult when looking at these works to avoid questions about the status of not just photography but representation more broadlyin a post-postmodern world. Keenly aware of photographic history, Slovenc seems to be wondering in this series: Where does photographystand? Is documentation even possible?What is the relation between formal and thematic concerns? What…12.12.2016.
“Hana Miletić’s camera does not record what could be referred to as spectacle (for masses).Her view does not sting; it does not set rules nor makes judgment. She does not supervise the situation, but only notices a certain paradox which testifies of how little it takes to shift the tab on the scale of prejudices,…12.12.2016.
Bojan Mrđenović, as we have also pointed out, takes on an active position, the position of the observer. He is not interested in giving us an embellished image of reality, but aims to provide a certain kind of knowledge. As in his other work, an observational method is employed with which the photographer, not unlike…12.12.2016.