https:\/\/www.forgottenheritage.eu\/about\/news\/<\/a><\/p>\n <\/p>\n
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Conference programme\/program konferencije<\/strong>
\n02. 09. 2021.<\/strong>\u00a0<\/strong>
\n9.00 \u2013 10.00\u00a0<\/strong><\/p>\nLeonida Kova\u010d:<\/strong>\u00a0Inaugural Lecture\/uvodno predavanje
\nPanel 1<\/strong><\/p>\n10.00 \u2013 11.30\u00a0<\/strong><\/p>\nmoderator:\u00a0Marika Ku\u017amicz<\/strong><\/p>\nUr\u0161ka Savi\u010d<\/strong>\u00a0Reflections on the Archive as Strategy for Re-writing Histories<\/em><\/p>\nKarolina Majewska-G\u00fcde<\/strong>\u00a0<\/em>Telling Stories about Feminist Art in Socialist Europe, or an Archive as a Place of Cross-Generational Re-doing<\/em><\/p>\nTia \u010ci\u010dek\u00a0<\/strong>Examining women\u2019s roles at the \u0160KUC Gallery in the 1980s<\/em><\/p>\nWanda Janakiewicz<\/strong>\u00a0Urszula Czartoryska as theoretician and founder of the Photography Department at the Museum of Modern Art in \u0141\u00f3d\u017a<\/em><\/p>\nPanel 2<\/strong><\/p>\n12.00 \u2013 13.30\u00a0<\/strong><\/p>\nmoderator:\u00a0Andra Silap\u0113tere<\/strong><\/p>\nTatiana Bogacheva\u00a0<\/strong>Social Reproduction in the Eastern European Art<\/em><\/p>\nAnne Pfautsch<\/strong>\u00a0The Archive of Sibylle Bergemann: Questions of Memorialisation and Reinterpretation<\/em><\/p>\nMiha Colner<\/strong>\u00a0Triple exclusion and fierce determination: Case Studies of Dragica \u010cade\u017e & Duba Sambolec<\/em><\/p>\nPanel 3<\/strong><\/p>\n14.30 \u2013 16.30\u00a0<\/strong><\/p>\nmoderator:\u00a0Barbara Bor\u010di\u0107<\/strong><\/p>\nKateryna Iakovlenko<\/strong>\u00a0Art Between Manhood and Activism: Role of Ukrainian Women Artists During Political Transformations<\/em><\/p>\nAdele Bea Cipste<\/strong>\u00a0and\u00a0Ieva Melgalve<\/strong>\u00a0Ways of Forgetting: The Faded Image of Women Artists in Periodicals of the Latvian SSR<\/em><\/p>\nMagdalena Wor\u0142owska<\/strong>\u00a0Spiritual and Rational Witches \u2013 Ecological Art of Female Artists in The Polish People\u2019s Republic<\/em><\/p>\n18.00\u00a0<\/strong><\/p>\nScreening of the performance\/projekcija performansa:\u00a0Dear Ladies, Thank you\u00a0<\/em>(2011-2013),\u00a0Ana\u00a0\u010cigon<\/strong><\/p>\n <\/p>\n
03. 09. 2021.<\/strong>
\nPanel 1<\/strong><\/p>\n9.00 \u2013 10.30\u00a0<\/strong><\/p>\nmoderator:\u00a0Barbara Bor\u010di\u0107<\/strong><\/p>\nSla\u0111ana Petrovi\u0107 Varagi\u0107<\/strong>\u00a0Archiving female performance in Yugoslavia \u2013 Dragana (Jovanovi\u0107) \u017darevac<\/em><\/p>\nIliyana Nedkova<\/strong>\u00a0Why Have There Been No Great Contemporary Bulgarian Women Artists?<\/em><\/p>\nKate\u0159ina \u0160troblov\u00e1\u00a0<\/strong>There Is Nothing Like Women\u2019s Art. Work, Positions and Emancipation of Female Artists in Czechoslovakia during the Normalisation Period<\/em><\/p>\nPanel 2<\/strong><\/p>\n11.00 AM \u2013 13.00\u00a0<\/strong><\/p>\nmoderator:\u00a0Marika Ku\u017amicz<\/strong><\/p>\nIvor Glava\u0161<\/strong>\u00a0The figure of the woman author: Tatjana Ivan\u010di\u0107<\/em><\/p>\n\u0141ukasz Mojsak<\/strong>\u00a0Between History and the Future. On Sonja Savi\u0107\u2019s Videos<\/em><\/p>\nPanel 3<\/strong><\/p>\n14.00 \u2013 15.30\u00a0<\/strong><\/p>\nmoderator:\u00a0Andra Silap\u0113tere<\/strong><\/p>\nKata Bal\u00e1zs<\/strong>\u00a0Little material, lot of thought Margit Szilvitzky and experimental textile \/ fibre art<\/em><\/p>\nStefanie Proksch-Weilguni<\/strong>\u00a0Unraveling the Fibre Art of Geta Br\u0103tescu<\/em><\/p>\nJohana Lomov\u00e1<\/strong>\u00a0Exclusion through specialisation Membership of Women Artists in the Czechoslovak Artists\u00b4 Union in the 1950\u00b4s and 1960\u00b4s and its consequences for writing art history<\/em><\/p>\nEda Tuulberg<\/strong>\u00a0The Abdomen is Over-Etched<\/em><\/p>\nPanel 4<\/strong>\u00a0<\/strong><\/p>\n16.00 \u2013 17.30\u00a0<\/strong><\/p>\nmoderator:\u00a0Lana Lovrenci\u0107<\/strong><\/p>\nUschi Klein<\/strong>\u00a0<\/em>Picturing the female gaze: photography as a form of cultural resistance during Romania\u2019s communist era<\/em><\/p>\nMaria Anna Rogucka<\/strong>\u00a0Alina \u015alesi\u0144ska\u2019s Self-awareness? Why and What Kind of Artist\u2019s Image Creation through Photographs in Mass Printed Media?<\/em><\/p>\nTihana Rubi\u0107 & Ana \u0160eparovi\u0107<\/strong>\u00a0The Construction of Gender in Interwar Photography: An Interdisciplinary View<\/em><\/p>\n\u0160elda Pu\u0137\u012bte<\/strong>\u00a0&\u00a0Indrek Grigor\u00a0<\/strong>Silver girls: Retouched history of photography<\/em><\/p>\n19.00\u00a0<\/strong><\/p>\nScreening of the films\/projekcija filmova<\/p>\n
Sonja Savi\u0107<\/strong>
\nPlay<\/em>, 1997, 22\u2019
\nSuperreal\u00a0<\/em>(Superstvarnost<\/em>), 1997, 57\u2019<\/p>\n","protected":false},"excerpt":{"rendered":" online conference 2\u00a0and\u00a03 of September 2021 Organisers:\u00a0Arton Foundation (Poland), Latvian Centre for Contemporary Art-LCCA, Center for Contemporary Arts \u2013 SCCA-Ljubljana & Office for Photography (Croatia) The scholarly sin of…<\/p>\n","protected":false},"author":7,"featured_media":15080,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-15868","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-uncategorized"},"acf":[],"_links":{"self":[{"href":"https:\/\/croatian-photography.com\/en\/wp-json\/wp\/v2\/posts\/15868","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/croatian-photography.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/croatian-photography.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/croatian-photography.com\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/croatian-photography.com\/en\/wp-json\/wp\/v2\/comments?post=15868"}],"version-history":[{"count":0,"href":"https:\/\/croatian-photography.com\/en\/wp-json\/wp\/v2\/posts\/15868\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/croatian-photography.com\/en\/wp-json\/wp\/v2\/media\/15080"}],"wp:attachment":[{"href":"https:\/\/croatian-photography.com\/en\/wp-json\/wp\/v2\/media?parent=15868"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/croatian-photography.com\/en\/wp-json\/wp\/v2\/categories?post=15868"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/croatian-photography.com\/en\/wp-json\/wp\/v2\/tags?post=15868"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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